Another character dies in the Dave Bell section – Gowron! Gowron dies? You’re there! David Bell’s work was just wonderful. Dukat’s daughter – you’re dying? You’re on the set! We knew that was there, and there was a big moment with the Klingons coming to the rescue. I always knew we were going to include that because another character dies. The other thing with David Bell – the score we always heard from people was “ Sacrifice of Angels“. Just so everyone knows, when you hear this, this is what the composers wrote, recorded, and delivered. The most notable example I can think of is: Ron Jones wrote a big cue, something that he had written for one episode that was completely replaced – I think it was for “ Booby Trap” or something. It happens all the time in television – but on Star Trek… ooooh yeah, it would happen. In this particular case, that can happen they move cues around, or don’t use them, or pull them under dialogue to where you virtually can’t hear them. What would happen, to my understanding, is that they’d put the show together, and they’d have a playback for the brass – Rick – would give them comments. What happens on a dub stage, on a television show in particular – people need to remember that movies are a director’s medium TV shows are a producer’s medium. TrekCore: Rick Berman’s intervention on “ What You Leave Behind“, as you described it – was that commonplace throughout the series?įord A. Thaxton: Star Trek DS9 Soundtrack Interview, Part 2 Thaxton to discuss the music of Deep Space Nine, his motivation behind track choices, Star Trek composers and how to whittle down 172 episodes full of music to a 5-hour compilation! We’ve also got a selection of sample tracks for your listening pleasure at the bottom of the page.įord A. This is the second part of our interview with Ford. Thaxton who worked as a producer on the recent Star Trek: Deep Space Nine Soundtrack Collection from La-La Land Records. The set marks the first release of music solely dedicated to Deep Space Nine in 20 years after GNP Crescendo put out the original soundtrack to the shows pilot, “Emissary” composed by Dennis McCarthy back in 1993 (the label did release two “Best Of” compilations featuring music from the show, albeit limited to just a few tracks a piece).
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